Drawing Every Day

Frangipani sketch, charcoal and graphite on paper

©2009 Caroline Roberts

One of my big goals this summer is to make a habit of drawing something every day. I know that the practice will improve that skill and give me so much more range as a painter. Three days ago I got going and drew a cup and saucer from life, and yesterday I drew this Frangipani flower from a photograph. Sometimes I found it easier to keep turning the picture 90 degrees - I find it easier to judge a curve against the vertical than the horizontal for some reason. I'm pretty pleased with this and (if approved) it will be on the cover of my sister's wedding invitation.

castle reward chart

A quick detour - the above scan is my 'reward' chart that I made to encourage myself in forming my new drawing habit. I'm trying to emphasize visually to myself how every action I take to improve a skill or make connections will help build my 'castle'. Hey, it works for the kids! I made one for my daughter but she started filling hers in from the turrets. Guess I should have started with turrets in the air and built down to the ground too!

Herne's Oak: A work in progress

Herne's Oak, this morning
48"x48", acrylic on canvas
©2008 Caroline Roberts

Herne's Oak is a painting I 'finished' a year ago. Except that I wasn't finished, I was just stuck. The painting didn't have the drama and mystery I wanted but I was afraid to mess up what I did like about it.

After a year of looking at it on my wall I'm no longer afraid to change things around - that intense initial attachment to the painting has faded. Plus I have more experience and my abstract studies have given me a lot of insights. I'm building up the contrast to heighten the drama and I'm trying to clarify the fantastic branch shapes that I love. In the process a whole tree disappeared, branches moved around and Herne's owl eyes and antlers got pushed back to glare eerily at you through the ghostly trees.

Herne's Oak, work-in-progress
48"x48", acrylic on canvas
©2008 Caroline Roberts

Herne the Hunter was a huntsman at Windsor Forest for King Richard II. Legend has it that he was caught poaching in the forest and was hung from an oak tree, now known as Herne's Oak.

I first came across Herne whilst reading Susan Cooper's The Dark Is Rising series as a child. In the second book Herne comes in as a Wild Huntsman who flies across the winter sky with the face of an owl and the antlers of a deer. Since then I've found other references to a similar huntsman in Mary Stewart's Merlin Trilogy that has him as Arawn, the King of the Otherworld. So this painting should be dramatic and downright eery to do the legend justice.

I plan on bringing out the front ghost horse a little more. I also want to push the central tree back by lightening it and blending it into the background somewhat. I think it is too central to be so dramatic. I checked the circularity of the moon (good old Photoshop!) and, as I guessed, my moon is off a tad at the left. The red sky will be gradated - enough that it makes the moon glow but not so much that I lose the branches (I hope).

Perhaps I need to use highlights to make the branches glow in the moonlight, then I can have a darker sky at the edge?. By adding layers of paint I have lost some of the ghostly, other-worldliness that I wanted, tomorrow I shall try and regain that.